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Exhibitions
![Bernard Lloyd Collection Dale Chihuly Blue Sea Form Bowl Dale Chihuly Blue Sea Form Bowl. Colours range from very dark blue, through beige, brown, and white](https://images.sunderlandculture.org.uk/uploads/2024/08/Bernard-Lloyd-Collection-Dale-Chihuly-Blue-Sea-Form-Bowl.jpg?resize=13%2C10&gravity)
Exhibitions
Bernard Lloyd Collection
National Glass Centre
![People's Art - Wally Dogs Wally Dogs - White Staffordshire earthenware pottery with gold lustre. The background is bright red.](https://images.sunderlandculture.org.uk/uploads/2024/08/Peoples-Art-Wally-Dogs.jpg?resize=13%2C10&gravity)
Exhibitions
People's Art
National Glass Centre
![Ian Macdonald Fixing Time Five female canteen staff catch up at the end of their shift at Redcar Blast Furnace, 1983. They are sitting around a rectangle table. THere is a full length window behind them. .](https://images.sunderlandculture.org.uk/uploads/2024/08/Ian-Macdonald-Fixing-Time-Web-image-only-570x480-1.jpg?resize=13%2C10&gravity)
Exhibitions
Ian Macdonald - Fixing Time
Northern Gallery for Contemporary Art
![Canteen staff catching up on the day at the end of their shift, Redcar Blast furnace, Autumn 1983 - Ian MacDonald A photograph by Ian MacDonald. The black and white photograph shows a group of people gathered around a canteen table with wide windows stretching across the wall to their left.](https://images.sunderlandculture.org.uk/uploads/2024/07/Canteen-staff-catching-up-on-the-day-at-the-end-of-their-shift-Redcar-Blast-furnace-Autumn-1983.jpg?resize=13%2C10&gravity)
Exhibitions
Ian Macdonald: Fixing Time
Sunderland Museum and Winter Gardens
![Jeremy Deller Image A row of terraced houses sit in the background, with a large swathe of green grass in front. On the grass are several police men wearing helmets and carrying shields and batons. They are charging at men dressed in jeans, t-shirts, and sweatshirts.](https://images.sunderlandculture.org.uk/uploads/2024/08/Jeremy-Deller-Image.jpg?resize=13%2C10&gravity)
Exhibitions
Jeremy Deller – The Battle of Orgreave: Screening
The film contains strong language and re-enactments of violent clashes.
Viewer discretion is advised.
Northern Gallery for Contemporary Art
![Washington Fact, Fiction and Folklore](https://images.sunderlandculture.org.uk/uploads/2024/08/Washington-Fact-Fiction-and-Folklore.jpg?resize=13%2C10&gravity)
Exhibitions
Washington: Fact, Fiction and Folklore Exhibition
Exhibition organised with Sunderland Indie and Washington Heritage Partnership.
Arts Centre Washington
![Simon Roberts, Let This Be a Sign, 2008, photographic print. Courtesy the artist and Northern Gallery for Contemporary Art Collection. Simon Roberts, Let This Be a Sign, 2008, photographic print. Courtesy the artist and Northern Gallery for Contemporary Art Collection. A large office space filled with computer screens. A female with blonde hair sit at a desk.](https://images.sunderlandculture.org.uk/uploads/2024/08/NGCA-Simon-Roberts.jpg?resize=13%2C10&gravity)
Exhibitions
Northern Gallery for Contemporary Art Collection Display
Northern Gallery for Contemporary Art
![David Bailey](https://images.sunderlandculture.org.uk/uploads/2024/08/David-Bailey.jpg?resize=13%2C10&gravity)
Exhibitions
Peoplescapes - An exhibition by David Baillie
Arts Centre Washington
![The Skin We Live In Walker & Bromwich_ Love Cannon_2006_Courtesy of the artist A barrel of a cannon points from left to right. The whole cannon has been covered in a shiny pink cloth. A female, also dressed completely in pink, bends at a right angle and sticks her head into the cannon. The cannon and the female are standing on very dry grass.](https://images.sunderlandculture.org.uk/uploads/2024/08/The-Skin-We-Live-In-Walker-Bromwich_-Love-Cannon_2006_Courtesy-of-the-artist.jpg?resize=13%2C10&gravity)
Exhibitions
The Skin We Live In: Portraits from the NGCA Collection
Northern Gallery for Contemporary Art